Our Band Could Be Your Life
The story of the American indie underground in the eighties as told through short biographies of some of the leading lights of the scene.
I really enjoyed at least half of these short bios, as some of the bands had fascinating interpersonal struggles, financial problems and made great music.
However, the author made some odd decisions. Your band is only indie if your records are recorded for an indie label who used only indie distribution? A pointless distinction if you ask me. If, as I suspect, he only did this to avoid covering REM for the millionth time, then why not just say that?
Why, also, decide to not cover the major label careers of the bands that he does write about beyond a brief sneery paragraph or two about how none of their records were as good once they took money from the big boys?
Why spend countless pages wittering on about the idealism of certain bands? Sure they had admirable politics, that’s great, I want to read about the music too at some point though.
Maybe I’m too comfortably cynical about the music business as a whole but the whole concept of indie purity just seems silly to me nowadays. So I’m docking points for his pious devotion to his precious hardcore band’s purity.
Otherwise highly recommended for those with an interest in 80’s underground indie music.