{"id":253,"date":"2005-02-23T22:30:00","date_gmt":"2005-02-23T22:30:00","guid":{"rendered":"http:\/\/treefell.com\/transmission\/index.php\/2005\/02\/23\/not-the-finished-article\/"},"modified":"2014-07-28T14:32:14","modified_gmt":"2014-07-28T13:32:14","slug":"not-the-finished-article","status":"publish","type":"post","link":"https:\/\/treefell.com\/transmission\/index.php\/2005\/02\/23\/not-the-finished-article\/","title":{"rendered":"not the finished article"},"content":{"rendered":"<p>OK, this is a blog entry that I&#8217;ve been trying to get my arse around to doing for ages now.  I tried to do it last year as well, but I just couldn&#8217;t just quite manage it.<br \/>\nYes, this is my &#8216;The best albums of 2004&#8217; entry.<br \/>\nAnyway I finally managed it, so here in reverse order, are my top ten albums of 2004 and why I think they deserve that little accolade.<\/p>\n<p><div id=\"number\">10.<\/div>\n<p class=\"musictitle\">Ghosts of the Great Highway &#8211; Sun Kil Moon<\/p>\n<p class=\"bookentry\">\nThis was the year that I was exposed to a load of new american indie label music through <a href=\"http:\/\/www.emusic.com\/\">emusic<\/a>. This where I found this album. It&#8217;s a new project from Mark Kozolek, the force behind The Red House Painters. It&#8217;s primarily melancholy music, but it&#8217;s even more preoccupied with broken relationships than Kozolek&#8217;s earlier stuff, with the occassional ruminations on more abstract things.<\/p>\n<div id=\"number\">9.<\/div>\n<p class=\"musictitle\"> Good News For People Who Love Bad News &#8211; Modest Mouse<\/p>\n<p class=\"bookentry\">Apparently Modest Mouse had something of a chart breakthrough this year with the lead single from this album, Float On, in the US. Of course that didn&#8217;t translate over here.  As a follow up to the remarkable Moon &#038; Antartica it&#8217;s a bit of a disappointment. However taken on it&#8217;s own terms it&#8217;s a really enjoyable rambling journey through Modest Mouse&#8217;s brand of alternative rock.<\/p>\n<div id=\"number\">8.<\/div>\n<p class=\"musictitle\">We Shall All Be Healed &#8211; The Mountain Goats<\/p>\n<p class=\"bookentry\">I only discovered The Mountain Goats this year. John Darnielle is a very interesting guy, he writes really interesting lyrics and indeed increasingly writing memorable music. A bit too patchy to be in the same league as prior release Tallahasee it&#8217;s still a standout from this year&#8217;s releases.<\/p>\n<div id=\"number\">7.<\/div>\n<p class=\"musictitle\">Faded Seaside Glamour &#8211; The Delays<\/p>\n<p class=\"bookentry\">I swithered about including this album, as it&#8217;s essentially sunny nature seemed out of place at this time of year. So I gave the album a good listen to and you know what? It&#8217;s too damned good to be missing from this list.  If you have any kind of weakness for good, sharp pop with a bit of a bitter edge then this is the stuff for you.<\/p>\n<div id=\"number\">6.<\/div>\n<p class=\"musictitle\">Franz Ferdinand &#8211; Franz Ferdinand<\/p>\n<p class=\"bookentry\">After seeing them support Interpol at the end of 2003, I was pretty certain that 2004 would be Franz Ferdinand&#8217;s year.  The album is indeed very good, with very few weak points and with a verve and ambition that stands out on the British music scene. However, it&#8217;s fallen down a few places in the list in the last couple of months as over-saturation has robbed the music of some of it&#8217;s charm.<\/p>\n<div id=\"number\">5.<\/div>\n<p class=\"musictitle\">Milk-Eyed Mender &#8211; Joanna Newsom<\/p>\n<p class=\"bookentry\">This shit is strange.  A part and apart from the weird folk music of Sufjan Stevens and Devendra Banhart that has appeared on the scene this year. This is the strangest &#8211; I mean twisty, girly voice and harp?  And her choice of stuff to sing about?  It remains really original and something you can listen to again and again<\/p>\n<div id=\"number\">4.<\/div>\n<p class=\"musictitle\">Antics &#8211; Interpol<\/p>\n<p class=\"bookentry\">Turn on the Bright Lights was my album of 2002.  To such an extent that it took me months to warm up to this follow up. It&#8217;s not as of one mood as the first album, but once I got used the less claustrophobic nature of the piece several songs have started to shine. <\/p>\n<div id=\"number\">3.<\/div>\n<p class=\"musictitle\">Bubblegum &#8211; The Mark Lanegan Band<\/p>\n<p class=\"bookentry\">Mark Lanegan has one of my favourite voices of all time.  Combined with a great band and some of the best material he&#8217;s gathered in a while it&#8217;s pretty irresistable to me.  I do miss some of the psychedelic edge of his work with The Screaming Trees and the sheer hard direct rock of QotSA, this lies somewhere in the middle.<\/p>\n<div id=\"number\">2.<\/div>\n<p class=\"musictitle\">Her Majesty &#8211; The Decemberists<\/p>\n<p class=\"bookentry\">This band annoyed the first time I heard them. So affected, so overtly theatrical.  Then &#8216;I was meant for the stage&#8217; and &#8216;Los Angeles, I&#8217;m yours&#8217; wormed their way into my brain and the next thing I know I really love the album.<\/p>\n<div id=\"number\">1.<\/div>\n<p class=\"musictitle\">Carbon Glacier &#8211; Laura Veirs<\/p>\n<p class=\"bookentry\">There was no contest this year for album of the year. This had it won after I had listened to it non-stop for a fortnight.  It&#8217;s such a remarkable leap on from her earlier work.  The music is so haunting, her voice is captivating to the extent that I can totally forgive the occasional lyrical annoyance. When the children&#8217;s voices appear on Snow Camping I still get goosebumps &#8211; even after all this time. That&#8217;s how good it is.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>OK, this is a blog entry that I&#8217;ve been trying to get my arse around to doing for ages now. I tried to do it last year as well, but I just couldn&#8217;t just quite manage it. Yes, this is my &#8216;The best albums of 2004&#8217; entry. Anyway I finally managed it, so here in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[81,3,10],"tags":[],"class_list":["post-253","post","type-post","status-publish","format-standard","hentry","category-albums-of-the-year","category-music","category-year-end-round-up"],"_links":{"self":[{"href":"https:\/\/treefell.com\/transmission\/index.php\/wp-json\/wp\/v2\/posts\/253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/treefell.com\/transmission\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/treefell.com\/transmission\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/treefell.com\/transmission\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/treefell.com\/transmission\/index.php\/wp-json\/wp\/v2\/comments?post=253"}],"version-history":[{"count":1,"href":"https:\/\/treefell.com\/transmission\/index.php\/wp-json\/wp\/v2\/posts\/253\/revisions"}],"predecessor-version":[{"id":773,"href":"https:\/\/treefell.com\/transmission\/index.php\/wp-json\/wp\/v2\/posts\/253\/revisions\/773"}],"wp:attachment":[{"href":"https:\/\/treefell.com\/transmission\/index.php\/wp-json\/wp\/v2\/media?parent=253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/treefell.com\/transmission\/index.php\/wp-json\/wp\/v2\/categories?post=253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/treefell.com\/transmission\/index.php\/wp-json\/wp\/v2\/tags?post=253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}